Technics – SL-100C
Premium class turntable
Technics is a very well-known Japanese brand founded in 1965 by Matsushita Electric Industrial belonging to the Panasonic corporation. The history of Technics is very rich, because in 1969 the Japanese manufacturer introduced the world first SP-10 turntable with direct drive for professional use. Soon after, the SL-1100 home turntables and the SL-1200 MK2, used by many DJs, are introduced.
In its heyday, Technics was the main competitor of Marantz, Rotel, Denon or even the Polish manufacturer Unitra, considered by many to be the Polish equivalent of Technics for less affluent customers. The rich history and long production period of high-quality audio equipment that Technics can boast of dominated the global market at that time.
The SL-100C turntable is a return to the traditions for which the Japanese Technics became famous. The direct drive used is driven by a single-rotor coreless motor that ensures very precise and stable rotation. The S-shaped tonearm has been statically balanced, and the chassis construction and gimbal suspension, which is one of the most important elements of the turntable arm, is taken from the proven, highly rated SL-1200 series. The gimbal is responsible for the smooth movement of the arm and the vertical VTA tracking angle (Vertical Tracking Angle). It is he who gives the precision of driving the cartridge with the stylus, which is in direct contact with the record.
The turntable aluminum platter is pressure-cast to eliminate rotational irregularities, known as meshing. In addition, the entire back surface is rubberized, which eliminates unwanted vibrations and resonances. The SL-100C comes pre-installed with the Audio-Technica AT-VM95C cartridge, thanks to which you can enjoy high-quality sound in the basic configuration provided by the manufacturer.
A new copy of the SL-100C with the Audio-Technica AT-VM95C cartridge and an external Cambridge Audio phono preamplifier - Alva Solo, was used for the test, delivered by my friend Wojtek, who accompanied the tests, confirming the following opinion with his hearing.
Sound:
It is impossible to describe all the changes in the two separate systems that were available during the test, because each change of the cable, of which there were several, introduced a different character of the sound. What was described was the most visible changes with the Technics turntable cooperating in the test.
We start...
From the first disc played on the Technics SL-100C, a greater resolution was definitely audible compared to the previously tested Rega Plenar P1 Plus turntable (read the Rega review). The sound was more free and illuminated, which introduced more insight into details on a fairly wide stage of a well-defined stereo image. The dynamics in combination with system 2 used for the test had a clumpy bass that lacked mid-body. The drum snare didn't accentuate the rhythm enough, which was devoid of military order. The vocals sounded nice, although knowing the characteristics of the KEF LS50s, one could feel a slight withdrawal in the high range. Changing the loudspeakers from small LS50 monitors to floorstanding B&W DM 603 S3 definitely improved the amount of medium bass filling that was missing in the Kefs. The sound became more coherent, although in places the metal Bowers domes made themselves felt, which introduced quite a metallic unnatural overtone. Changing the interconnect from Pearl Consequence to the brighter sounding Erys Excellence cable introduced more air, depriving the sound of the abundance of bass that every turntable introduces. The sound gained additional colors that became better distinguished in the crowded stage of instruments. This sound started to appeal to me and my friend Wojtek, who was accompanying me during the tests. It's time to change components to a high end kit 1 consisting of a Naim split system. Naim introduced more discipline and emphasized the mid-bass that the Kefs lacked in the company of the REL subwoofer with system 2. The sound became more velvety and captivating. However, the excitement of low bass was missing because the Naim system lacked a subwoofer. Switching again to the B&W DM 603 S3 floorstanders added adequate filling in the low range. It was a really great sound that you wanted to listen to. Maybe it lacked the technical correctness known from good digital to analog converters, but the climate introduced by vinyl captivated me and my friend with its warm, sweet sound. The sound became noble with swinging instruments that sounded right and sweet. Technics in its premium class turntable introduced a candy-sweet atmosphere known from vinyl, which cannot be provided by a CD or high-resolution sound from a computer.
The set used for the test consisted of 2 split systems:
System 1
preamp: Naim - NAC 282
PSU: Naim - HI-CAP DR
PSU: Naim - NAPSC PSC-2
power booster: Naim - NAP 250 DR
Speaker cable: Audiomica - Miamen Consequence & Celes Excellence / The Chord - Epic Super Twin
Loudspeakers: Bowers & Wilkins DM 603 S3 / KEF LS 50
Stands for KEF LS 50: Dynami Duo Gloss White Stand with Atacama Atabiter SMD
Marble slabs for speakers and turntable (thickness 1.5 cm)
Interconnect Turntable & Turntable Pre-amp: Audiomica - Pearl Consequence & Erys Excellence / The Chord - Cadenza
Interconnect Pre-amp & Power amplifier: Naim standard DIN cables
Naim NAP 250 DR Power Cable: Audiomica - ALLBIT Consequence
Naim Hi-CAP DR Power Cable: Audiomica - NESS Excellence
Naim NAPSC PSC-2 Power Cable: WireWorld - Stratus 7
DIY Diffusers: front
DIY absorber: back
System 2
preamp: Densen-Beat B200
Power Amplifier: Musical Fidelity - A3CR Dual Mono
Loudspeakers: Bowers & Wilkins DM 603 S3 / KEF LS 50
Speaker Cables: Audiomica - Miamen Consequence & Celes Excellence / The Chord - Epic Super Twin
subwoofer: REL - T5i
Stands for KEF LS50: Dynami Duo Gloss White Stand with Atacama Atabiter SMD
Marble slabs for stands and turntable (thickness 1.5 cm)
Interconnect Turntable & Phono Pre-amp: Audiomica - Pearl Consequence & Erys Excellence
Interconnect Pre-amp & Power amplifier: The Chord Cadenza
Power Amplifier Power Cable: WireWorld - Stratus 7
power protection: APC P1-UK Essential SurgeArrest 1
Power Conditioner: Tacoma IFI-23 Mains Conditioner
DIY Diffusers: front
DIY absorber: back
Technical data:
Type: direct drive handheld turntable
Needle Cartridge: Audio-Technica AT-VM95C
Engine: Single-rotor, coreless
Braking system: electronic brake
Turntable speed: 33 1/3, 45, 78 rpm
Building characteristics: 0.7 sec from zero to 33 1/3 rpm
WOW and Flutter: 0.025% WRMS
A plate: aluminum casting
Plate diameter: 332mm
Plate weight: 2 kg
Arm: S-shaped with universal static balance
Arm lengths: 230mm
Arm Hover: 15mm
Arm Offset Angle: 22°
Arm height adjustment range: 0-6mm
Stylus pressure adjustment range: 0-4g with direct reading
Head weight: 7.6g
Power Supply: AC 110-240V (50Hz / 60Hz)
Energy Consumption: working 8W / standby 0.2W
Dimensions: height 173mm / width 453mm / depth 372mm
Libra: 9.9 kg
Additional accessories:
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AT-VM95C cartridge
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RCA phono cable
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phono ground wire
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AC power cord
-
turntable sheet
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dust cover
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adapter for EP discs
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balancing weight
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head housing
Elaborated by: Łabędź Przemysław